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Stevie Nicks’ selfies from the 1970s
09:05 am

Pop Culture

Stevie Nicks
Fleetwood Mac

Never-before-seen—until now, naturally—Stevie Nicks self-portraits from the mid-1970s. There are a lot wickedly cool Nicks selfies in this collection—all of which were shot with a Polaroid camera.

(Eat your heart out Kardashian clan! Your selfies got nothin’ on Stevie!)

Some people don’t sleep at night - I am one of those people. These pictures were taken long after everyone had gone to bed - I would begin after midnight and go until 4 or 5 in the morning. I stopped at sunrise - like a vampire… I never really thought anyone would ever see these pictures, they went into shoeboxes, where they remained. I did everything - I was the stylist, the makeup artist, the furniture mover, the lighting director. It was my joy - I was the model…

Leaving aside the matter of what was keeping Ms. Nicks awake in the 70s, the Morrison Hotel Gallery is doing an exhibition of her photos in Los Angeles and New York City. You can buy prints online if any image strikes your fancy.



A few more images after the jump…

Posted by Tara McGinley | Discussion
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Every Day is like Monday: ‘Morrissey Gets a Job’
05:39 am

Pop Culture


Waaaaaaay back in 1999, Oakland, CA based artist and author Brian Brooks, who played a role in the creation of Emily The Strange, made a series of photocopied Rock ’n’ Roll coloring books, including the utterly classic Morrissey Gets a Job, an amusing speculative look at a possible post-Smiths life that could-have-been. Actually, the singer’s famously dreary disposition could make for a decent fit with the corporate office milieu. Think about it, Moz, there’s room to move in middle-management.

Even if you’ve never seen these, they might look somewhat familiar if you spent any time at all on the internet during the ‘oughts—the panels are detourned from Ready-to-Use Office and Business Illustrations, the same book of Tom Tierney clip-art that David Rees would famously pillage a couple of years later for Get Your War On.





More Moz in the workplace after the jump…

Posted by Ron Kretsch | Discussion
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Goofy commercial hawking KISS makeup kit, 1978
09:51 am

Pop Culture


Kiss kids
By the late 1970s, KISS mania was in full swing, and many products bearing the band’s logo were available. Some of this stuff—trading cards, action figures, even a pinball machine—had little to do with rock-n-roll, but were a perfect fit for a band now seen by many kids as superheroes.
KISS comic book
Those same kids were amongst those attending KISS concerts made-up to look their favorite member of the group, so one piece of merchandise that made total sense was the KISS Your Face Makeup Kit.
KISS fans
KISS fans
Check out this 1978 commercial for the makeup kit, which partially succeeds in attempts at self-conscious humor, but is also just plain goofy.

Halloween will be here before you know it, KISS fans—get yours NOW!


Posted by Bart Bealmear | Discussion
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Sacrilicious! Our Barbie of Guadalupe meets Crucified Ken

The only two English words on the Facebook About page for Argentine art duo Pool & Marianela are “Lowbrow art.” Their portfolio is loaded with exquisitely detourned children’s toys, mostly Barbie and Ken dolls refashioned into Catholic icons. If you just rolled your eyes, I totally get why, but take a look at this stuff—this is no mad-at-daddy art student hack job. All the details in the garments and packaging are thoroughly considered and painstakingly well executed.


Unsurprisingly, the duo has sparked controversy in heavily Catholic Latin America. The works will be exhibited in Buenos Aires, starting on October 11, in a show called “Barbie, The Plastic Religion.” The pair are clearly quite keen to agitate—they’re also known for making inflatable punching bags of Argentine public figures.








Lastly, check out their St. George slaying a My Little Pony. I actually laughed aloud a little bit.

Via Latino Rebels

Previously on Dangerous Minds
Barbie doll created with average US woman’s measurements is repulsive hag
Skinhead Darby and Mohawk Ben:’ Hilariously ‘insider’ punk Barbie doll Parody from 1982

Posted by Ron Kretsch | Discussion
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Senior citizen Wonder Woman cosplay
10:01 am

Pop Culture

Wonder Woman

Here’s a priceless bit of cosplay from the Rose City Comic Con last weekend in Oregon, a “Golden Girl” version of Wonder Woman! From the looks of it, Wonder Woman has probably traded in the invisible plane for something more practical like an invisible motorized scooter.

And oh how her once-mighty boobs have now fallen! Even Wonder Woman’s source of power, her magic golden belt is accessorized with a fanny pack where she presumably keeps her pills. She’s even replaced her bulletproof bracelets with yellow rubber dish gloves, and she’s taken up smoking (because why not?). And what of Wonder Woman’s Golden Lasso of Truth? It’s now a catheter tube attached to her hip.

It’s like Mick says, what a drag it is getting old.
Via reddit

Posted by Cherrybomb | Discussion
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‘My Rules’: Glen E. Friedman book documents hardcore punk, hip hop, skaters and YOU NEED IT
07:18 am

Pop Culture

Glen E. Friedman

I don’t normally write posts and say “you must own this!” but… you’ve gotta get this! Glen E. Friedman’s new My Rules (Rizzoli) is simply stunning. A real masterpiece! I was happier than a pig in shit when I got it in the mail a few weeks ago. It was a very pleasant—and unexpected—surprise indeed. I couldn’t wait to unwrap it out of its packaging and tear through it! The book is a glorious MONSTER, with huge color photographs and amazing B&W images. Hugeness is a major factor in its favor, and the hardcover is sort of “quilted” and textured in a manner unlike any book I’ve ever owned. As an object/publication, it’s… a simply stunning presentation of a photographer’s life’s work, one of the best you’ll ever see. An event! Who is there… what ONE photographer was around as many important scenes as Friedman? Hip hop, hardcore, skaters, he was there, he was in the midst of it and with this book you really get a sense of that. It’s not just a bunch of amazing photographs, the selection becomes a sort of autobiography of the person who documented all of these moments: He was there.

Darren “Buffy” Robinson - Fat Boys - 1985 - Venice Beach, ©Glen E. Friedman
Glen’s work splendidly captures historic moments in time. Moments of 70s skate culture, punk, post punk, hardcore, 80s hip hop and early-90s indie rock. Underground cultures that will never happen again (or at least not as cool as they were then!). I have to admit though, I got really nostalgic and almost a bit weepy while looking at these photographs. They reminded me of being young again. My youth. Something I ain’t ever going to get back. They drummed up memories of me hanging out with my childhood friends (some sadly deceased now) just kicking it in my parents’ basement playing records or driving around in my first boyfriend’s pick-up truck blasting Minor Threat. Fun times. Good times.

I love this book for so many reasons.

The Make-Up - 1995 - New York City, ©Glen E. Friedman

Think of any iconic image of Run DMC, Black Flag, Minor Threat, Public Enemy, and Beastie Boys, or the gravity defying revolutionary skateboarding legends Tony Alva, Jay Adams, or Stacy Peralta. It is almost certain that Glen E. Friedman was the man behind the camera. Since the mid-1970s as a young teenager, Friedman has been chronicling quintessential moments of underground and counterculture movements.

Glen E. Friedman’s My Rules serves as a history book for the three powerhouse countercultures—skateboarding, punk, and hip-hop. From the earliest days Friedman was present to capture the pivotal and defining moments in music and street movements that were largely unknown or ignored. The energy and rebellion comes through in these famous and some never-before-seen iconic images.

Moses Padilla - 1978 - West LA, ©Glen E. Friedman

As a side note: It was extremely difficult for me to pick the images for this post. I mean, they’re all so damned wonderful! ALL of them! Here are a few choice selections from My Rules below:

Jello Biafra - 1981 - Hollywood, ©Glen E. Friedman

Flavor Flav and Chuck D. - 1987, ©Glen E. Friedman

Junk Yard Band - 1986 - Washington D.C., ©Glen E. Friedman

More after the jump…

Posted by Tara McGinley | Discussion
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Own Peter Fonda’s chopper from ‘Easy Rider’

What the hell is wrong with FREEDOM, man, that’s what it’s all about!

The US flag-festooned motorcycle Peter Fonda rode as “Captain America” in the landmark 1969 film Easy Rider is going up for auction next month. Via

The customized Captain America chopper Peter Fonda rode in “Easy Rider” has come to symbolize the counterculture of the 1960s. Now it’s for sale.

The auction house Profiles in History told The Associated Press that it estimates the Harley-Davidson will bring $1 million to $1.2 million at its Oct. 18 sale being held online and at its galleries in Calabasas, California.

The seller is Michael Eisenberg, a California businessman who once co-owned a Los Angeles motorcycle-themed restaurant with Fonda and “Easy Rider” co-star Dennis Hopper. Eisenberg bought it last year from Dan Haggerty, perhaps best known for his roles in the “Grizzly Adams” TV show and movies, who was in charge of keeping the custom-designed bike humming during the 1969 movie’s filming.

Four motorcycles were created for the movie, but only one is known to have survived. It was used in the climactic crash scene in which Fonda is thrown off the bike.

After the film was finished, Hopper told Haggerty to keep it. Haggerty rode it often, an experience he likened to “going out with Marilyn Monroe.” Parting with it was like having a “child finally getting married and moving away and starting a new life on their own.”


The film, of course, remains a must-see even today, as its themes of seeking fulfillment outside the system, the death of idealism, and the paradoxes of freedom resonate well beyond the social context of the late ‘60s, and its soundtrack is packed with classic songs.

Now its central symbol can be a trinket for some extravagantly overpaid fund manager dickweed with seven figures to burn on an adolescent fantasy. AMERICA FUCK YEAH!

Previously on Dangerous Minds
The Electric Cinema Acid Test: the trippiest movies ever made
A slightly bombed Dennis Hopper bemoans the fate of his feature ‘The Last Movie’

Posted by Ron Kretsch | Discussion
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Just say BO-NO: Mark Hosler of Negativland on Apple’s ‘U2rusion’
01:44 pm

Pop Culture

Mark Hosler

A guest editorial from Mark Hosler of Negativland on Apple’s ‘U2rusion’

1) Of course it’s very entertaining and amusing to me to see the backlash that U2 is getting for doing this.

2) I actually like some of U2s music, and always have. Yet have no interest in paying to hear what they are up to now ( I think I’ve paid them enough! About $45,000, to be exact. That is how much their lawsuit against Negativland cost us), so getting it for free sounded fine to me.

3) The way they are “forcing” it on the users of Apple products is actually a very curious thing! Certainly *someone* was going to do this sooner or later, at least as an experiment, so I am not surprised. That a band this large is giving away its music to pretty much everyone who will want it and many who won’t (regardless of what Apple paid them to do so, which is a separate issue) is also curious as a “business” model. For Apple, perhaps it’s the largest “loss leader” in history. And curious that something that is digitally free is made to look like the test pressing of a real world vinyl LP. How many folks out there even know what a test pressing is or looks like?

4)  Given the endless ways we all often willingly grant these corporations and our government access into to our lives by how we use and sign up for these fucking devices and apps, I am unclear as to why so may folks are so shocked and angry about this. We all get SPAM and we delete it, so… .. is this any different? Maybe it is. Or maybe not.  I am still pondering that one.

5) I use iTunes as a music player and a way to store a bit of the music I listen to, but I have never signed up for their service and never purchased anything from their store. So…guess what?  When I opened iTunes and looked for the dreaded U2 intrusion ( a U2rusion) into my iTunes app, there was nothing there. So this felt to me more like I had unwittingly opted out of being on iTunes mailing list, whereas all of you have signed up for it have opted in.  (BTW, my understanding is that what gets dropped in to your player is a playlist of U2’s new album, but not files. You still have to click something in to download the files.  A nuance, possibly, but one that is being missed in all the hoo ha).

6) Regardless of what anyone thinks, I’ll be curious if the overall outcome is seen as good or bad, plus or minus, by Apple and U2. WIll Apple do this again as a way to push product, or will it seem like such a bad press headache resulting from such arrogant tone deafness that they never do it again?

Below, Mark Hosler discusses Negativland’s adventure with U2 and their lawyers:

Mark Hosler and Negativland were famously sued by U2 and their record company. The upcoming Negativland album, the two CD set It’s All in Your Head, comes packaged in a Holy Bible, with a limited edition Koran also available. (Reviewed here)

Here’s “Right Might” from the new album:


Posted by Richard Metzger | Discussion
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LEGO recreation of the ‘You killed the car’ scene from ‘Ferris Bueller’s Day Off’
08:38 am

Pop Culture

John Hughes

As immensely enjoyable as the 1986 John Hughes classic Ferris Bueller’s Day Off is, it is my belief that viewers needed some assurance that Ferris and Cameron weren’t just predestined to live out their lives as carefree, materialistic sociopath and suicidal scion with daddy issues, respectively. The necessary turn comes in the late scene in the Fryes’ garage, where the much-fetishized Ferrari belonging to Cameron’s dad normally resides. Cameron has his sorely needed emotional breakthrough and…. well, you probably know it.

Some genius or geniuses from Sweden going by the name Etzel decided to make a LEGO diorama of the most kinetic moment of that scene. There’s a slight cheat in temporality—check out chapter 4 from Scott McCloud’s brilliant 1993 primer Understanding Comics to see what I mean. McCloud establishes that a single comic frame, far from capturing a single moment, can easily encompass a span of time of as high as thirty seconds. Similarly, here, the car is flying backwards through the air (not stuck in a tree, as you might guess), while Cameron, Ferris, and Sloane gather near the destroyed plate glass window to admire the destruction. In the movie, of course, the car plummets to the surface of the forest, and the teens become a formalized audience a few seconds later.

I wouldn’t have it any other way. I love it, just as it is.





For the forgetful, here’s the scene from Ferris Bueller’s Day Off:

via Chicagoist

Posted by Martin Schneider | Discussion
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Decadence, fame & excess at Les Bains Douches, the Parisian answer to Studio 54
09:57 am

Pop Culture

Les Bain Douches

From the late 1970s through the 1990s, Les Bains Douches was a nightclub in Paris located at 7 rue du Bourg l’Abbé in the 3rd arrondissement. What made it distinctive from most other nightclubs were the availability—as the club’s very name promised—of large baths for its patrons to cool off or generally frolic in. It was originally built in 1885 by the Guerbois family and soon became one of the most famous thermal baths in Paris. Originally it was used by workers in the area who would come there after an arduous night shift for a shower and a coffee. At the same time Les Bains Douches also a more affluent clientele massage as well as sulphur and steam baths.

In 1978 it was re-conceived by famed designer Philippe Starck as a nightclub. Starck cannily chose to retain the baths and the original tiles. Fans of postpunk music may recognize the name from the title of an excellent Joy Division live album that saw an official release in 2001; the album is simply called Les Bains Douches 18 December 1979. For the next couple of decades Les Bains Douches would become a magnet for the rich and famous to rival only Studio 54 and the Chateau Marmont. Of course, its location in Paris guaranteed that its selection of celebrities would have a more European cast, but that did not prevent many of the ultra famous from dropping in, including Jack Nicholson, David Bowie, Mick Jagger, Robert De Niro, Sylvester Stallone, alongside such European figures as Roman Polanski, Brigitte Nielsen, Charlotte Gainsbourg, Julie Delpy, and so on.

By the 2000s, the heady era of fame and excess was rapidly becoming a memory. French DJ David Guetta and his wife bought the club but soon encountered management problems. In 2010 the club finally shut its doors for good. In 2013 it was the site of a street art exhibition, and it is expected to reopen later this year.

These pictures were taken by the nightclub’s resident photographer, Foc Kan. They are true unadorned documents of the moment in all their smeary splendor. You can practically smell the cocaine, can’t you, and there’s plenty of libido to go around too (a good many of Kan’s pictures were taken before AIDS had exerted its check on promiscuity). It’s worth clicking through to see many more vintage pics of the goings on at Les Bains Douches.


Iman and David Bowie


Mick Jagger


Iggy Pop

Emmanuelle Seigner and Roman Polanski

Robert De Niro


Nicolas Cage and Grace Jones

Keith Haring
More pics after the jump….

Posted by Martin Schneider | Discussion
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